Half-memories absorb us, and our ritual world
carries its history in familiar eyes,
planted in flesh it signifies its music

in minds which turn to sleep and memory,
in music knowing all the shimmering names,
the spear, the castle, and the rose.

But planted in our flesh these valleys stand,
everywhere we begin to know the illness,
are forced up, and our times confirm us all.

In the museum life, centuries of ambition
yielded at last a fertilizing image:
the Carthaginian stone meaning a tall woman

carries in her two hands the book and cradled dove,
on her two thighs, wings folded from the waist
cross to her feet, a pointed human crown.

This valley is given to us like a glory.
To friends in the old world, and their lifting hands
that call for intercession. Blow falling full in face.

All those whose childhood made learn skill to meet,
and art to see after the change of heart;
all the belligerents who know the world.

You standing over gorges, surveyors and planners,
you workers and hope of countries, first among powers;
you who give peace and bodily repose,

opening landscapes by grace, giving the marvel lowlands
physical peace, flooding old battlefields
with general brilliance, who best love your lives;

and you young, you who finishing the poem
wish new perfection and begin to make;
you men of fact, measure our times again.